The world's first academic conference dedicated to all things Warhammer
The presentation of religious and ethical concepts through public visual art has long been a means to communicate, form, and build identity in the public square—especially when literacy may be highly varied. This has often been conducted through the presentation of biblical and religious narratives as expressed through paintings, illustrated bibles, and stained glass.
The Chaos Gods represent the most consistent characters across Warhammer properties, acting as dark manifestations of the latent desires and fears of humanity as a species. While some of what are considered the cardinal sins of theologies worldwide can be mapped with relative ease onto these deities, greed, or avarice, presents a trickier conundrum. Arguments …
Warhammer 40,000 was not built in a cultural vacuum. Games Workshop emerged in late-1970s Britain, a milieu shaped by occult revival, chaos magick aesthetics, and the Law/Chaos cosmology of Michael Moorcock’s fiction, and the fingerprints are everywhere: the Warp as a metaphysical plane mapping onto esoteric conceptions of the astral or the collective unconscious, the …
One of the more striking factions in the Age of Sigmar are the Flesh-Eater Courts, an army of ghouls and cannibals that surge forward in a naked mass of flesh, claws and teeth, lorded over by their vampiric rulers. Beneath this simplistic appearance is a deeper system of viral mass delusion, where the ghouls see …
The Genestealer Cults faction of Warhammer 40,000 are a playable faction of human-alien hybrids that serve as a vanguard force for the invasion of the locust-like Tyranid hive fleets. That the Tyranids will devour human and hybrid denizens of the planet alike when they arrive ostensibly undermines the cults’ liberatory promises to those oppressed by …
My research has focused on how students attending a weekly Warhammer Club at their secondary school perceive their sense of belonging in school, through a lens of Gee’s (2004) affinity space theory. There is much literature on the topic of belonging in schools, and how a sense of belonging has become recognised as a tool …
For many Warhammer fans, Bob Naismith is one of ‘founding fathers’ of the hobby we love so much, shaping as he did many of the designs that have gone on to become synonymous with the hobby. Working for Citadel in the 1980s, and later Games Workshop, Bob was responsible for the original Space Marine design, …
The British literary critic and author M. John Harrison defines Worldbuilding as an ‘attempt to exhaustively survey a place that isn’t there’. Worldbuilding is one of the most important aspects of genre fiction and is an undeniable factor in the success of the 40K universe, which is appropriately recognised for the scope, depth and detail …
Oi! Why is it that when more boyz get in a mob, they become more killy? Or, to put the question in a more academic parlance, what is the connection between crowds and power? Elias Canetti’s Crowds and Power (Masse und Macht, 1960) presents an enduring theory of mass behaviour, examining how crowds form, move, …
This presentation explores the ironic tensions between the Emperor of Mankind and Lion El’Johnson’s respective aversions to deification and their eventual embodiment of divine roles within the Warhammer universe. Drawing on the events of *Son of the Forest* , as well as other texts, we examine how the Emperor performs the role of a “Divine …
This talk is a diachronic analysis of the Mechanicus. We will examine recent and historical cultural attitudes relevant to the Adeptus Mechanicus, in accordance with our practice of using Warhammer 40k itself as a framework to explore critical theory and historical concepts, rather than exploring Warhammer 40k through these frameworks, a reversal of the lens …
The Imperium of Mankind perpetuates itself through the mechanical reproduction of a vast number of social fantasies, the most universal being belief in the omniscience of the God-Emperor. To be an Imperial subject, one must, often under pain of death, publicly profess an obvious falsehood: that humanity is led by an all-powerful protector, whose will …
The Immaterium or Warp in Warhammer 40,000 functions as a chaotic, psychic realm that embodies both cosmic threat and metaphysical possibility. By looking at various external philosophical and religious sources, this paper seeks to approach 40k’s Immaterium as a liminal metaphysical space – and its internal lore applications of a collective unconscious realm shaped by …
The Warhammer universe, in its totality, has exploded in popularity in the twenty-first century, crossing the boundary from niche tabletop wargame to vast multimedia franchise, spanning novels, video games, and television. Yet with this increasing cultural cachet comes a significant question – why, in this particular historical moment, has this famously “grimdark” setting gained significant …
There are, to date, close to four hundred books in the Black Library catalogue set in the Warhammer 40,000 setting. The vast majority of these books remain valid canon, as do the bulk of supplemental material, faction codexes, rule books, video games, and the models themselves. Unlike many other fictional settings, Warhammer 40,000 has the …