The world's first academic conference dedicated to all things Warhammer
Games Workshop repeatedly asserts that Warhammer 40,000 is satire, and the setting uses grimdark exaggeration to critique the real world. Many works of satire, especially those in the Juvenalian mode often employed by 40K, view the laying bare of social ills and hidden assumptions to be the ultimate goal. This lines up with Mikhail Bakhtin’s …
“Hmph, dem oomies tink deys fasta then us ladz. Well they sure as Gork aint got Burftog’s Mega Orktane Go Juice and dere wagons don’t even got a red paint job…Lets krump ‘em for tryin!” – Burftog, Evil Sunz Mekboy.
Oi! Why is it that when more boyz get in a mob, they become more killy? Or, to put the question in a more academic parlance, what is the connection between crowds and power? Elias Canetti’s Crowds and Power (Masse und Macht, 1960) presents an enduring theory of mass behaviour, examining how crowds form, move, …
The Orkish language in Warhammer 40K is a stylized linguistic construct designed to reflect the cultural and social traits of its fictional speakers. While not a fully developed conlang, Orkish is characterized by phonetic distortions, syntactic simplifications, and a lexicon heavily influenced by Cockney speech patterns, particularly those associated with football hooligan subcultures. This study …
This talk addresses Ork technology in Warhammer 40,000, focusing on the intersection of science, colonial tropes and mysticism. Ork machinery is often cobbled together from scrap and seemingly nonsensical parts but nevertheless functions with surprising efficacy (or catastrophic failure). Two different explanations are given in game materials: Fan discussions lean towards a hybrid model: Ork …
The story of Ork Warlord Grizgutz—who inadvertently travels back in time via the Warp, kills his earlier self, and steals his favorite gun—offers a uniquely absurd case study in temporal paradoxes. This presentation examines the plausibility of such an event through the lens of real-world physics, focusing on time travel, causality, and the nature of …
The grim darkness of the far future harbors an ontological abyss – the Warhammer 40k universe unfurls as a delirious cosmology of hyperspatial paradoxes and spectral becomings that undermine all conventional spatio-temporality. My contribution plunges into the vertiginous “non-spaces” permeating this dystopian cosmos – rifts, folds, and lines of deterritorialization that deconstruct rigid human constructs …