The world's first academic conference celebrating all things Warhammer
Abstract The name Warhammer 40,000, with its aesthetics and, above all, the incredibly detailed background, is now a fixture in pop culture. This epic, supposedly monolithic narrative is actually a piece of work by different artists, designers and authors. The unifying element of these different media and narrative styles is the depiction of war and …
Abstract Warhammer 40k shows humanity in a complex, yet simple situation. Surrounded by multiple hostile species, war changed from a project to unite all humanity under the guide of the emperor to a eternal necessity, no matter what the cost of ‘xenos’ or even human lives. This raises questions about legitimate self-defense, imperial conquest, genocide …
Abstract The universe of Warhammer 40k seems to have reached the stage in the permanent war for pure survival that Carl Schmitt would understand as a completely political world. Friend and foe can be clearly distinguished as a dichotomy inherent in politics. The distinction is clear, even clearer than in the Middle Ages, armour, weapon …
Abstract Beset on all sides and within, even with a million worlds, humanity fights a long-drawn battle of attrition. If the Imperium of Man wants to stand a chance, technology is its only hope. And even if it lacks behind, compared to the Necron or Eldar, human ingenuity once rules the stars. Technology is so …
Abstract My presentation is a comparative study of the representation of religion in two digital games: Baldur’s Gate III and Warhammer: Rogue Trader. Both are successful titles representing their respective franchises, both were created under at least some level of creative control from the franchise owners (Randall 2023; Templar9999 2024), so their approach to representation …
Abstract Worldbuilding is an integral part of the science fiction and fantasy genres. A major challenge of these genres is introducing the setting to readers in a way that is natural and doesn’t overwhelm them. This can be done through a reader surrogate character, a character that is either new to the setting (such as …
Abstract One well-known piece of lore about Space Marines in Warhammer fiction is that they “know no fear.” Fans of the Horus Heresy series, in particular, will have read that Space Marines are not “built to feel fear,” that they are “immune to fear,” and that they are without “the capacity for fear.” However, fans …
Abstract Warhammer 40,000 is by the admission of its creators, a satire of Britain in the 1980s. It is a representation of a squalid, sprawling failed empire, where human life has ceased to matter as anything other than oil for the machinery of a broken state. In this talk I will characterise this satire using …
Abstract The paper explores the complex existential situation of an Astartes Space Marine between humanity and artificiality and the implications of the peculiar type of purpose they follow from an existentialist and technical-philosophical perspective. Astartes are superhuman soldiers, trialed, enhanced, and trained to defend the Imperium of Man from the xenos, the heretic, the daemon. …
Abstract The Imperium of Man is often portrayed as the last bastion against the corrupting influenceof Chaos. Yet, the methods employed by the Imperium are as ruthless as the enemies theyseek to destroy. Governed by the decrees of the God-Emperor, the Imperium enforces abrutal order through fear, repression, and unyielding orthodoxy. It is a society …
Abstract Miniaturing, with its roots in other historically men-dominated spheres such as military history and tabletop role-playing, is largely a men’s pastime in terms of demographics (e.g. Körner & Schütz, 2021), making it an intriguing phenomenon to study from the perspective of men’s studies. This is doubly true with Warhammer 40,000: as a game it …
Abstract Central to Games Workshop’s Intellectual Property (IP) Law policy is its stringent enforcement mechanism. In doing so, the company engages with a proactive approach to engagement and enforcement of IP protection measures across a wide range of unauthorised uses of its IP. The purpose of such a zealous approach is to ensure the integrity …
Abstract My investigation focuses on the wargaming miniature model as a media technology, defined both as experience technology and as technology for media production. For this purpose, I will briefly introduce a multidisciplinary view of technology currently under development in the MIT (Multimodal and Intermedial Technologies) project at the University of Oulu. This perception of …
Abstract The struggle for power between states to ensure survival and other vital interests is a foundational component of realism, the oldest and most influential theoretical paradigm in the study of international relations (IR). Currently, academics and scholars alike are fiercely debating the merit of realist arguments regarding the role of NATO policy in the …
Abstract The humans that inhabit the grim future of the 42nd Millennium live under oppression so dire it borders the comical. Indeed, the level of ‘grim dark’ terror and repression that Imperial citizens are subjected to is commonly understood to be satire of existing repressive ideologies. It follows then, that the Imperium is in a …