2024 Archives – Page 2 of 5 – Warhammer Conference

Tyranid xenobiology compared to real-life eusocial insects

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Abstract The Tyranids are a biological species that do not rely on technological or mechanical devices, utilizing biotechnological alternatives instead. Despite the significant amount of available xenobiological information, there are still several areas that require further investigation. A comprehensive examination of the Tyranid race poses certain challenges. Therefore, drawing comparisons with entomological concepts, particularly those …

In Praise of Depth: WH40K Minis as Borgmannian Things

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Abstract In his 1984 study Technology and the Character of Contemporary Life—published shortly before the first edition of WH40K—philosopher Albert Borgmann provided an analysis of modern technology centered on the dichotomy between things and devices. For Borgmann, a device is an object that provides a commodity (energy, information, entertainment, etc.) while making the mechanism of …

The Concept of Warp Space from a Physical Perspective

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Abstract The Warhammer 40k universe presents a unique and fascinating depiction of faster-than-light travel through the concept of the Warp, a parallel dimension of chaotic energy and psychic phenomena. This abstract explores the theoretical underpinnings of Warp space from the standpoint of modern physics, aiming to bridge the gap between fictional constructs and real scientific …

Beyond the Human: Exploring Non-Spatial Becomings in Warhammer 40k

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Abstract The grim darkness of the far future harbors an ontological abyss – the Warhammer 40k universe unfurls as a delirious cosmology of hyperspatial paradoxes and spectral becomings that undermine all conventional spatio-temporality. My contribution plunges into the vertiginous “non-spaces” permeating this dystopian cosmos – rifts, folds, and lines of deterritorialization that deconstruct rigid human …

The Return of Reckoning: Warhammer Online and Successful Fan-Directed Preservation of Videogames

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Abstract This research presentation explores how videogame communities mobilise to save their favourite games from becoming lost to history using the example of The Return of Reckoning (Return of Reckoning, 2014) as a case study. The key aims are to position live-service games in current games preservation theory and then unpack how the ‘fan-developers’ preserved …

In the grim darkness of the far future, there is only Warhammer

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Abstract In the grim darkness of the far future, there is only Warhammer. Games Workshop has waged a constant battle to protect humanity from other miniature games. On the fringes of the Imperium, other games lurk and putter on, unseen by YouTube algorithms and academics. In our present age, the tabletop hobby is dominated by …

The Assemblage of Rules of 40k

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Abstract This paper investigates the complex assemblage that is the rule system of Warhammer 40k matched play with a focus on participation and materiality based on the auto-ethnographic experiences of a competitive players. Before the first dice are rolled in a game of 40k, a lot of work needs to be done. Armies need to …

Projecting Technological Development Over 38,000 Years: Lessons from History

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Abstract The Warhammer 40k universe, set roughly 38,000 years in the future, presents an intriguing opportunity to explore the potential trajectory of technological advancement. This abstract proposes a comparative analysis of historical technological development with speculative projections for the next 38 millennia, drawing on the rich technological landscape depicted in Warhammer 40k. Technological progress over …

Messengers of Chaos: Variances in representations of chaos demons in Warhammer 40,000

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Abstract Viewers usually expect long-lasting transmedia worlds and crossovers between various media to be internally harmonious. In contrast, Warhammer 40,000 provides prospective viewers, players and readers with a universe far less concerned with clarity and consistency. To the audiences of Warhammer 40,000, significant variance in the depictions of characters, places and factions depending on the …

Miniature Mindfulness: Finding Spiritual Flow with Warhammer 40,000 Figurines

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Abstract Warhammer 40,000 (40K) is the most popular miniature wargame. While gameplay is a large part of engaging with Warhammer 40,000, the miniatures are often bought and painted. These painters spend hours painting the models in deep concentration. Drawing on interviews and journal entries of a participant study of 14 painters over a six-month period, …

What happened to the Lost Primarchs? Or, a case of invitational incompleteness

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Abstract Everyone who’s interested in 40K lore knows that the Emperor of Mankind gene-crafted 20 “sons” to be his superhuman generals in the Great Crusade to reunite humanity. Equally well known is that two of these Primarchs – the second and the eleventh – were “lost”: everything about them was intentionally deleted from Imperial records. …

The Machine God endows thee with life – The Priesthood of Mars as a cultural expression of biomedicalization in the 21st century

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Abstract Much like the techpriests of the Cult Mechanicus, Western societies in the second millennium are consumed by technological advancement, techno-positivistic ontologies, and the sustainability of mankind. During the mid-1900s, there was a shift in biomedical research and theorization that since has brought us new conceptualization of the body: what it can and cannot do …

Monetizing Play: An Intertemporal and Cross-Cultural Investigation of Business Models in Analog Gaming from Warhammer 40K to Dungeons & Dragons

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Abstract Customizable analog games, such as miniature games or table top role-playing games (TTRPG), rely on active engagement by consumers. Their value creation is immediately tied to not only an engaged customer base but to prosumers, who make the game “their own”. This means that business models for miniature games and TTRPGs deviate quite strongly …

“First and Last” The depiction of good soldiers in the Gaunt’s Ghosts novels

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Abstract The name Warhammer 40,000, with its aesthetics and, above all, the incredibly detailed background, is now a fixture in pop culture. This epic, supposedly monolithic narrative is actually a piece of work by different artists, designers and authors. The unifying element of these different media and narrative styles is the depiction of war and …

Intertextuality as a double-edged chainsword – is writing for Warhammer a barrier to narrative invention?

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Abstract Julia Kristeva’s poststructuralist concept of intertextuality applies to the creation of all genres and formats of texts, but when it comes to working within an existing universe such as Warhammer, the relationship with what has come before and, challengingly from wider narrative and character arc perspectives, what may come in the future, takes on …